NADA Miami 2024

This presentation illuminates freedom-focused praxes that invite viewers to gather and reconnect with themselves.

Adams’s use of postcolonial and postmodern feminist theory configures subversive, revolutionary sculptures that welcome liminality and newness. Comparably, Onosowobo’s paintings use familiar, intimate motifs within a specific Nigerian spatiality to invoke reflections on identity and community. Finally, Nnorom’s fabric architectures promote self-interrogation and critical thinking, using these to respond to sociopolitical factors that inform the mundane.