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NADA Miami 2020
Viewing Rooms
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Artworks
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About
Artworks
Sargent's Daughters, New York
Ruben Ulises Rodriguez Montoya,
After 147 years inside the escape pod. It awoke from a catatonic state, wanting nothing more but the taste of blood and to stretch its hind legs.
, 2020
Hunter Shaw Fine Art, Los Angeles
Adam de Boer,
Reflection at 8th Street
, 2020
Deli Gallery, Brooklyn
Kat Lyons,
Happy Ingest (Procession)
, 2020
Parisa Kind, Frankfurt
Mike Bouchet,
MacKenzie Scott Jacuzzi Model
, 2020
Kim?, Riga
Indriķis Ģelzis,
Composition without grapes
, 2020
LaMontagne Gallery, Boston
Rosie Ranauro,
A Spectre of Me (Loving Me)
, 2019
Iragui, Moscow
Pavel Pepperstein,
"And now I would ask to leave us alone. We still have work to do..." From the illustrations for the book The Secret of Our Time
, 2012
lítost, Prague
Botond Keresztesi,
Six feet deep
, 2020
Gildar / Good Weather, Chicago
Dr. Charles Smith,
Twins of the Hurricane (1)
, 2002
Proyectos Ultravioleta, Guatemala City
Akira Ikezoe,
Not So Still Life 5
, 2020
Ulterior Gallery, New York
George Bolster,
Empath Now: Conserve the Remains of Sublime
, 2020
4649, Tokyo
Yuhei Kobayashi,
16:01, January 1st, Nishiarai-Daishi
, 2020
Bonamatic, Copenhagen
Jørgen Fog,
Things in themselves 1
, 2012
FIERMAN, New York
Karen Finley,
Ivanka Pay Up
, 2020
Ackerman Clarke, Chicago
David Leggett,
Decoy be yanking
, 2020
80m2 Livia Benavides, Lima
Gabriel Acevedo Velarde,
Patrones y Parlamentos XXI
, 2020
Parisa Kind, Frankfurt
Isabelle Fein,
Together
, 2020
Nino Mier Gallery, Los Angeles
Antwan Horfee,
To be titled
, 2020
Halsey McKay Gallery, East Hampton
Hilary Pecis,
Anemones and Ranunculus
, 2020
Iragui, Moscow
Carlos Noronha Feio,
stick-people adore the sun (tree of life)
, 2018
Lulu, Mexico City
James Harrison,
Hold On
, 2020
Reyes Finn, Detroit
Marie Herwald Hermann,
Flickering silence
, 2020
Damien & The Love Guru, Brussels
Mickael Marman,
B.Painting / untitled
, 2018
Polana Institute, Warszawa
Olga Micińska,
Drifta 2
, 2020
Fragment, Moscow
Patricia Ayres,
Untitled (Large Sculpture No. 2)
, 2018
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