In his series “rumi maki”, william cordova takes on an ethnographic approach in addressing shared symbolism found in textile data encoding and architectural design. Named after the ancient Andean martial arts, “rumi maki” consists of multi-colored collages on paper, constructed from vivid layers of recycled paint chips. The arrangement of colors and patterns carry latent meanings, dependent on geography, culture, and the readings of celestial bodies. As cosmological maps, the collages synthesize the sacred geometries of architecture with the visual narratives of historical civilizations. Its form also recalls pioneering early video installation artist Beryl Korot, and her contributions to the 1970s video journal Radical Software.
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