NADA Miami 2021

Jørgen Fog’s works in general interfere with spaces through real objects which we do not immediately associate with art. The onset is rather the material world of half forgotten, lost, or in other ways unremarkable artefacts. Present, these ‘tool boards’ are firmly rooted in social significance, while at the same time being displays of fictitious, unreal memory traces. As dematerialized moments of potentiality, they currently relate to movements or activities, that represents use or fulfilment of opportunity.